Speaking of the Lionel trains without mentioning Angela Trotta Thomas is a bit like talking about Las Meninias by Velasquez without the auto-representation of the author standing on the left of the work, intent on capturing the moment or, without necessarily wanting to talk about art, is like making a Milanese risotto without the saffron pistils. It's a half-talk, a half-done job because the beauty of the Lionel trains immortalized ...
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